Born 1970
Lives and works in Brooklyn, NY
Education
1996 Whitney Museum Independent Study Program, New York, NY
1994 Brown University, Providence, RI, BA
Solo Exhibitions
2017 Reticulations, Van Doren Waxter, New York, NY (catalogue)
Abstracts, University Art Museum, SUNY Albany, Albany, NY (catalogue)
James Harris Gallery, Seattle, WA
2016 Cameron Martin/Molly Zuckerman-Hartung, The Suburban, Milwaukee, WI
Galerie Nikolaus Ruzicska (project room), Salzburg, Austria
2014 James Harris Gallery, Seattle, WA
2012 Galerie Nikolaus Ruzicska, Salzburg, Austria
2011 Bracket, Greenberg Van Doren Gallery, New York, NY (catalogue)
2009 Ski Dubai, The Suburban, Oak Park, IL
2008 Gallery Min Min, Tokyo, Japan
Galerie Nikolaus Ruzicska, Salzburg, Austria
2007 Eclipse, Greenberg Van Doren Gallery, New York, NY (catalogue)
Eleven Rivington, New York, NY
2006 Focus 3: Cameron Martin, Philbrook Museum of Art, Tulsa, OK
Currents 97: Cameron Martin, Saint Louis Art Museum, Saint Louis, MO
2005 Works on Paper, Greenberg Van Doren Gallery, New York, NY (catalogue)
Law of Ruins, G Fine Art, Wahington D.C.
2004 A Turn Pale, Gallery Min Min, Tokyo, Japan (catalogue)
Clear Skies, Artemis Greenberg Van Doren Gallery, New York, NY
2003 Never Rider, Gallery Min Min, Tokyo, Japan
2002 Standstill, Artemis Greenberg Van Doren Gallery, New York, NY (catalogue)
2001 New Paintings, Kevin Bruk Gallery, Miami, FL
2000 Cameron Martin, Angstrom Gallery, Dallas, TX
1999 Future Views, Tate, New York, NY
The Future Lasts Forever, Howard House, Seattle, WA
Selected Group Exhibitions
2016 Utopia Banished, Angela Meleca Gallery, Columbus, OH
Foundation Barbin Presents: Redux (Sort of), Kai Matsumiya Gallery, New York, NY
2015 sorry, i’ve been trying to teach peacock how to act, Rachel Uffner Gallery, New York, NY
Influence, Kleinert/James Center for the Arts, Woodstock, NY
Exquisite (with Amy Sillman and Henry Chapman), LABspace, Hillsdale, NY
2014 Fixing a Hole, Koenig and Clinton, New York, NY
Delusion/Illusion, Galleri Haaken, Oslo, Norway
monochromatic, Triumph and Disaster, Montgomery, AL
2013 White House, Galerie Clemens Gunzer, Zurich, Switzerland
Decade One: Highpoint Editions, Sherman Gallery, Boston University, Boston, MA
How You Gonna Get Back to Jersey?, Planthouse, New York, NY
Black Rabbit, White Hole, Samuel Freeman Gallery, Los Angeles, CA
2012 25 Years of Tandem Press, Chazen Museum, Madison, WI (catalogue)
2011 Mythos Berg, RLB Kunstbruecke, Innsbruck, Austria
Highpoint Editions- Decade One, Minneapolis Institute of Art, Minneapolis, MN
After Destiny: The Contemporary American Landscape, Flanders Gallery, Raleigh, NC, curated by Greg Lindquist (catalogue)
Make Skateboards, I-20 Gallery, New York, NY
Waiting Ground, Kate Werble Gallery, New York, NY, curated by Heather Rowe and Tommy White (catalogue)
Reclaimed: Nature and Place Through Contemporary Eyes, Seattle Art Museum, Seattle, WA
Surveyor, Albright Knox Art Gallery, Buffalo, NY
2010 Art on PaperBiennial, Weatherspoon Art Museum, Greensboro, NC
roundabout, City Gallery Wellington, New Zealand, traveling to the Tel Aviv Museum, Tel Aviv, Israel (catalogue)
Force of Nature, The Horticultural Society of New York, New York, NY
Grass Grows By Itself, Marlboro Gallery, New York, NY, curated by Sima Familant
Guatavita, Eleven Rivington, New York, NY
Swell: Art1950-2010, Friedrich Petzel Gallery, New York, NY
2009 edia Int’l Group, Foundation Barbin, New York, NY
Uncharted, University at Albany Art Museum, Albany, NY
Infinitesimal Eternity: Images Made in the Face of Spectacle, Yale School of Art, New Haven, CT (catalogue)
Untitled (A Brink of Infinity), Western Bridge, Seattle, WA
2008 Gray, Dinter Fine Art, New York, NY
Water, G Fine Art, Washington D.C.
The Group Exhibition, Gallery Min Min, Tokyo, Japan
2007 In Monet’s Garden, Columbus Museum of Art, Columbus, OH, traveling to the MusŽe Marmottan, Paris, France (catalogue)
Back to Nature, Galerie Ruzicska, Salzburg, Austria
Neointegrity, Derek Eller Gallery, New York, NY
Microwave 5, JosŽe Bienvenu Gallery, New York, NY
Shipworm and Gribble, Secret Project Robot, Brooklyn, NY
Back East, Mandrake, Los Angeles, CA
New Prints 2007/Spring, International Print Center New York, New York, NY
Melvins, Mandrake, Los Angeles, CA
Water, Ferragamo Gallery, New York, NY
2006 Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Min Min, Tokyo, Japan
Pop and After, Saint Louis Art Museum, Saint Louis, MO
Tandem Press Highlights 1995-2005, Chazen Museum of Art, Madison, WI
Selections from the John Morrissey Collection, Armory Art Center, West Palm Beach, FL (catalogue)
2005 Structure, Lucas Schoormans Gallery, New York, NY
No Facsimile, Florescent Gallery, Knoxville, TN
Terra non Forma, Howard House Contemporary Art, Seattle, WA
Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, WA
2004 Whitney Biennial, Whitney Museum of American Art, New York, NY (catalogue)
Wayne Gonzales, Bill Adams, Cameron Martin, KS Art, New York, NY
Stay Inside, Shoshana Wayne Gallery, Santa Monica, CA
Colored Pencil, KS Art, New York, NY
New Prints 2004/Winter, International Print Center New York, New York, NY
2003 Giverny, Salon 94, New York, NY
Nature Boy, Elizabeth Dee Gallery, New York, NY curated by Doug Wada
Melvins, Anton Kern Gallery, New York, NY, curated by Bob Nickas
How Come, Stux Gallery, New York, NY, curated by Max Henry
City Mouse/Country Mouse, Space 101, Brooklyn, NY, curated by David Hunt
2002 Contemporary Art Project Collection, Seattle Art Museum, Seattle, WA (catalogue)
Everybody Knows This is Nowhere, Kevin Bruk Gallery, Miami, FL
Painting and Illustration, Luckman Gallery, California State University, Los Angeles, CA, curated by Adam Ross
Linger, Artemis Greenberg Van Doren Gallery, New York, NY
The Sea, the Sea, Glen Horowitz Bookseller, East Hampton, NY
Guide to Trust No. 2, Yerba Buena Center for the Arts, San Francisco, CA, curated by ANP (catalogue)
2001 Three Painters: Eva Lundsager, Cameron Martin, Louise Belcourt, Lawrence Rubin,
Greenberg Van Doren Fine Art, New York, NY
2000 Twice Born: Beauty, Mills Gallery, Boston Center for the Arts, Boston, MA
3ness, Museum Dhondt-Dhaenens, Deurle, Belgium, curated by Dike Blair, Jimi Dams and Edith Doove (catalogue)
Shifting Ground: Transformed Views of the American Landscape, Henry Art Gallery, Seattle, WA, (catalogue)
Flat File, Bellwether Gallery, Brooklyn, NY
1999 Other Paintings, Huntington Beach Art Center, Huntington Beach, CA, curated by Julie Joyce
Another Country, Lawrence Rubin Greenberg Van Doren Fine Art, Brent Sikkema, New York, NY
Air Hockey, Howard House, Seattle, WA
Antiworld, Gallery Untitled, Dallas, TX
1998 Open, Tate, New York, NY
Landscapes, Meyerson Nowinski Gallery, Seattle, WA
1997 Apartments, Artra, Milan, Italy
1996 1996A, Holly Solomon Gallery, New York, NY
Images Lost and Found, Chassie Post Gallery, New York, NY
1995 Northwest Annual, Center on Contemporary Art, Seattle, WA
1994 Home, The Bellevue Art Museum, Bellevue, WA
Awards
2010 John Simon Guggenheim Memorial Foundation Fellowship
2008 Joan Mitchell Foundation Fellowship
2006 Steep Rock Arts Residency, Washington, CT
2005 Freund Fellowship, Washington University, Saint Louis, MO
2001 Artists at Giverny Fellowship and Residency, France
2000 Pollock-Krasner Foundation Award
Collections
Addison Gallery of American Art, Andover, MA
Albright Knox Art Gallery, Buffalo, NY
Cleveland Museum of Art, OH
Henry Art Gallery, Seattle, WA
Minneapolis Institute of Art, MN
Philbrook Museum, Tulsa, OK
Saint Louis Art Museum, MO
Seattle Art Museum, WA
University of Wisconsin, Madison, WI
U.S. State Department Art Bank Program, Washington DC
Whitney Museum of American Art, New York, NY
Bibliography
2016 Regensburger, Jeff, “Utopian Banished at Angela Meleca Gallery”, Columbus Underground, October 17
Tonguette, A, “What the future might hold”, Columbus Dispatch, October 14
2013 Hirsch, Faye, “Cameron Martin”, Art in Print, Volume 2, Number 5
Wetzler, Rachel, “Cameron Martin’s Nonspecific Landscapes”, Rhizome.blog, April 16
2012 Corbett, Rachel, “Armory Show 2012”, Artnet Magazine, March 8
2011 White, Amy,”New American Landscapes at Flanders”, Independent Weekly, p. 25, August
“Cameron Martin”, The New Yorker, April 25
Wilson, Michael, “Cameron Martin, ‘Bracket’,” Time Out New York, April 4
White, Roger, “Immersive Uptown Gallery Experience”, Paper Monument, March
Schwendener, Martha, “The Badass and the 30 Year Hallucination”, The Village Voice, Mach 9, p. 29
Lindquist, Greg, “In Conversation: Cameron Martin with Greg Lindquist”, The Brooklyn Rail, March, p. 26-28
Bollen, Chris, “Mountain Man”, Interview, March, p. 98
2010 Blind Spot, Issue 42, collaborative project with Miranda Lichtenstein, curated by Liz Deschenes
Laster, Paul, “Grass Grows by Itself”, Time Out New York, August 19-25
2009 Wright, Jeffrey Cyphers, “Rapid Transit: Cameron Martin: Analogue”, Brooklyn Rail, April
Fitchner, Brian, “Cameron Martin: Analogue”, coolhunting.com, April 1
2008 Komarek, Eva, “Cameron Martin- Natur verbunden”, Wirtschafts Blatt Kompact, March 14, p. 18-19
Mendelsohn, Adam, “Reviews Marathon- Cameron Martin”, Art Review, February, p. 63
Rosenberg, Karen, “Art in Review: Eclipse”, The New York Times, January 4, p. E37
2007 Weiner, Emily, “Review- Eclipse”, Time Out New York, December 27-January 2, p. 71
“Cameron Martin: Eclipse”, The New Yorker, December 17
Blair, Dike, “Editor’s Choice: Cameron Martin”, Bomb Magazine, Fall Issue, pg. 14
2006 Watts, James, “Impermanent Illusions”, Tulsa World, June 27, p. D3
Bonetti, Davis, “Landscapes Lack People and Power”, Saint Louis Post Dispatch, April 2
Bonetti, Davis, “Best Bets”, Saint Louis Post Dispatch, March 23
2005 “Cameron Martin: Works on Paper”, The New Yorker, October 31
2004 Price, Matt, “Mixed Paint- A Survey of Contemporary Painters”, Flash Art, Nov/Dec, p. 93
“Reinstating the Draft- Portraits of Painters”, V Magazine, Vol 31, Fall
Kimmelman, Michael, “Whitney’s Heavy Lifters Look Back”, The New York Times, May 30, p.22 Section 2
Kim, Sheila, “Investing in Lever House”, Interior Design, May, p. 188
Sundell, Margaret, “The Today Show: the Whitney sums up contemporary art in best biennial in years”,
Time Out New York, March 25-April 1, p. 56
Saltz, Jerry, “The Okay Corral”, Village Voice, March 15-21, p. 86
Goodbody, Bridget, “Review- Clear Skies”, Time Out New York, February 5-12, p. 58
“Clear Skies”, The New Yorker, February 2, p. 15
Figura, Starr, “The Random and the Ordered”, Artnet, January 29
Douglas, Sarah, “United States: our selection A-Z”, The Art Newspaper, January
2003 Reed, John, “Review- Giverny”, Time Out New York, July 24-31, p.46
Tamashige, Sachiko, “Real Tokyo”, Souen, July, p. 100
“Navigation”, Brutus, July, p.110
“Complex- Ropongi”, Bijutsu-Techno, June, p.151
Hackett, Regina, “Contemporary Art Project at SAM”, Seattle Post Intelligencer, January 3
2002 “The Artfull Lodger”, Elle DŽcor, November
Landi, Ann, “The Power of Suggestion”, Art News, Summer
“Planes”, Artist Project, Open City, Spring/Summer, vol. 15, p. 49-58
Johnson, Ken, “Art in Review: Standstill”, The New York Times, April 12, p. E36
Griffin, Tim, “Review- Standstill”, Time Out New York, April 11-18, p. 71
“Standstill”, The New Yorker, April 1 and April 8
2001 Bayliss, Sarah, “Best Bets”, Art News, July
Grant, Adriana, “Nature as Icon”, Art Access, May, p.13-14
Ocana, Damarys, “Rock and an art place”, The Miami Street, March 16-22, p.50
Finkel, Jori, “Review- Three Painters”, Time Out New York, February 8-15, p.63
“Three Painters”, The New Yorker, January 29, p.17
2000 Temin, Christine, “Twice Born at BCA”, The Boston Globe, September 27
Silver, Joanne, “And now something different”, Boston Herald, August 11
Laureyns, Jeroen, “3ness- Licht, luchtig en vulchtig”, De Standaard, August
DeVuono, Frances, “Shifting Ground at the Henry Gallery”, Artweek, May, p.31
McCabe, Brett, “Art About Art: the works of Scott Reeder and Cameron Martin”
The Met, April 12-19, p. 27
Fredericksen, Eric, “Real Real Estate: Shifting Ground at Henry”, The Stranger, March 2-8
Kofoed, Kristian, “Changing land values- imaginative exhibit at Henry Gallery”
Seattle Post Intelligencer, February 17, p. C4
1999 Walsh, Daniella, “A well-crafted but cold exhibit”, Orange County Register, October 31
Chambers, Christopher, “Cameron Martin at Tate”, dART International, Spring/Summer
Blair, Dike, “Cameron Martin at Tate”, The Thing, March/April
Mitchell, Charles D, “Antiworld at gallery: untitled”, The Dallas Morning News, March 26
Hackett, Regina, “Beneath Martin’s Gray Surfaces, Flashes of Romance”
The Seattle Post Intelligencer, March 15, p.D1
Rose, Cynthia, “An Artist Returns”, The Seattle Times, March 5, p.E5
1998 Di Rado, Elena, “N.S.E.O.”, Tema Celeste, January-March, p.63
1995 Hackett, Regina, “COCA Puts Shabby Past Behind It”
The Seattle Post-Intelligencer, April, 3, p.E1
Publications
Element 47-The Art Collection, essay by Barbara Bloemink, Patrick Seymore, 2014
Tandem Press: 25 Years of Printmaking, essay by Faye Hirsch, Chazen Museum of Art, University of Wisconsin-Madison, 2013
Mythos Berg- Das Alpine in Der Aktuellen Kunst, essay by Michael Rainer, RLB KunstbrŸck, 2012
Cameron Martin: Bracket, exhibition catalogue, interview with Amy Sillman, Greenberg Van Doren Gallery 2011
Can I Come Over to Your House?- The First 10 Years of the Suburban, Poor Farm Press, 2010
Cameron Martin: analogue, essays by Martha Schwendener and Alexander Dumbadze, 144 pages, GHava{press}, 2009
Eclipse, exhibition catalogue, essay by Andrea Scott, Greenberg Van Doren Gallery, 2007
In Monet’s Garden, exhibition catalogue, essays by Joe Houston, M. Melissa Wolfe and James Yood, Scala, 2007
Focus 3: Cameron Martin, exhibition brochure, interview with Catherine Morris, Philbrook Museum, 2006
Currents 97: Cameron Martin, exhibition brochure, essay by Robin Clark, Saint Louis Art Museum, 2006
Selections from the John Morrissey Collection, exhibition catalogue, essay by John Morrissey, Armory Art Center, 2006
Works on Paper: Cameron Martin, “Arbor Consanguinitatis”, story by Thad Ziolkowski, Greenberg Van Doren Gallery, 2005
Cameron Martin, catalogue essay by Martha Schwendener, Gallery Min Min, 2004
2004 Whitney Biennial Catalogue, “The Way Things Never Were: Nostalgia’s Possibilities and the Unpredictable Past”,
essay by Debra Singer; artist project
The Contemporary Art Project Collection, “What Ifs: Constructed Identities and Imaginary Places in the
Contemporary Art Project Collection”, exhibition catalogue essay Tara Reddy Young, Seattle Art Museum, 2002
Standstill, Introduction by Jeanne Greenberg Rohatyn, essay by Dike Blair, Artemis Greenberg Van Doren Gallery, 2002
Guide to Trust No. 2, exhibiton catalogue, Yerba Buena Center For the Arts, 2002
3ness, “Some thoughts, 3 things and 9 artists”, exhibition catalogue essay by Dike Blair, Museum Dhondt-Dhaenens, 2000
Shifting Ground: Transformed Views of the American Landscape, “New Frontiers: Secondhand Landscape”,
exhibition catalogue essay by Rhonda Lane Howard, Henry Art Gallery Press, 2000
Writing by the artist
“Painting Has Issues”, Paper Monument, Volume 4, Fall 2013
“Interview with Robert Bordo”, Alexander and Bonin Gallery and the Brooklyn Rail, April 2013
“Amy Sillman: One Lump or Two”, Artforum, September 2013
“Cheyney Thompson”, Artforum, January 2012
“Dike Blair”, Artforum , May 2010